NavigationMatrixPatterns - MusterSolution - Lsungsolutions for higher cubes and other types - Lsungen fr grere Wrfel und andere TypenLinksspeedcubing - Schnelldrehendiary - Tagebuchpoetry - Poesiequicklink speedcubing - Schnellzugriff Schnelldrehenagainst righteous - gegen Rechtsabout me - ber michmail to Admin - email an den AdministratorImpressumJF-system compared by web authors - JF-System-Vergleich ber Web-Autoren
Deutsch Kanten negativ tauschen N english moving edges negativ N
Corners Moved Straight - Edges Moved Straight 1Corners Moved Straight - Edges Moved Straight 2Corners Moved Straight - Edges Moved Diagonal P1Corners Moved Straight - Edges Moved Diagonal P2Corners Moved Straight - Edges Moved Diagonal M2Corners Moved Straight - Edges Moved Diagonal M1CMD1 EMS1CMD2 EMS1Corners Moved Diagonal 2 - Edges Moved Diagonal P1Corners Moved Diagonal 1 - Edges Moved Diagonal P1Corners Moved Positive - the long arm is the 'arrowpeak'Corners Moved Negative - the long arm is the 'arrowpeak'Corners Moved ParallelCorners Moved CrossEdges Moved Positive - the long arm is the 'arrowpeak'Edges Moved Negative - the long arm is the 'arrowpeak'Edges Moved ParallelEdges Moved CrossG-Permutation - Nose UpG-Permutation - Hand UpG-Permutation - Hand DownG-Permutation - Nose DownEdges Flipped NeighboursEdges Flipped OppositeEdges Flipped AllCorners Twisted StraightCorners Twisted NeighboursCorners Twisted DiagonalCorners Twisted PositiveCorners Twisted NegativeCorners Twisted RegularCorners Twisted IrregularCorners Moved Straight - Twisted StraightCorners Moved Straight - Twisted NeighboursCorners Moved Straight - Twisted DiagonalCorners Moved Straight - Twisted PositiveCorners Moved Straight - Twisted NegativeCorners Moved Straight - Twisted IrregularCorners Moved Straight - Twisted Regular
Twisting Corners & Flipping EdgesCorners Moved StraightCorners Moved DiagonalCorners Moved Positive - the long arm is the 'arrowpeak'Corners Moved Negative - the long arm is the 'arrowpeak'Corners Moved ParallelCorners Moved CrossFlipping EdgesEdges Moved StraightEdges Moved DiagonalEdges Moved Positive - the long arm is the 'arrowpeak'Edges Moved Negative - the long arm is the 'arrowpeak'Edges Moved ParallelEdges Moved Crossbest browser - Bester Browsercolor distribution - Farbverteilung
Edges Moved Negative - the long arm is the 'arrowpeak'Edges Moved Negative - the long arm is the 'arrowpeak' / webauthors sequences1 situationEdges Moved Negative - the long arm is the 'arrowpeak'; Flipped NeighboursEdges Moved Negative - the long arm is the 'arrowpeak'; Flipped OppositeEdges Moved Negative - the long arm is the 'arrowpeak'; Flipped AllAlle Kanten-Tausche und -Wendungen - All Edge-Changes and -Flips
A0EMm1R''U'R'U'RURURU'R
R'' U' R' U' R UR U R U' R (11,12)
ro ca ra ca ri ci ri ci ri ca ri explanation of sound language - Erklrung der Lautsprache
R''U'R'U'RURURU'R
R'' U'd R' U' R U R U R U'd R (11,12)
B0EMm2rU'M'UM'UM''Ur
r U' M' U M' U M" U r (9,14)
reo ca ma co ma co mo ci reo explanation of sound language - Erklrung der Lautsprache
C0EMm3RU'RURURU'R'U'R
R U' R U R U R U' R' U' R (11,12) BobBurton PLL 06
ri ca ri ci ri ciri ca ra ca ro explanation of sound language - Erklrung der Lautsprache
RU'RURURU'R'U'R
(R U' R U) (R U) (R U') (R' U' R) (11,12)
D0EMm4Rd'M'UMd'r
R d' M' U M d' r (7,11)
ro dea mash comish dea reo explanation of sound language - Erklrung der Lautsprache
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A1EMm1B''U'm'B''mU'B''
B'' U' m' B'' m U' B'' (7,12)  Jessica Fridrich + Mirek Goljan
A2RUBU'B'R'aB'U'BUL
R U B U' B' R'a B' U' B U L (11,12)  Jessica Fridrich + Mirek Goljan
A3M''UM'U''MUM''
M'' U M' U'' M U M'' (9,16)   Jessica Fridrich + Mirek Goljan
mo ci ma co mi cimo explanation of sound language - Erklrung der Lautsprache
A4R'E'RUR'ERUR'E'RU''R'ER
R' E' R U R' E R U R' E' R U'' R' E R (15,20)
A5RU'R'U'RURURU'R
R U' R' U' R U R U R U' R (11,12)
RU'R'U'RURURU'R
(R U') R' U' R U R U (R U' R) (11,12)
A6RU'R'U'RURURU'RJF-system compared by web authors - JF-System-Vergleich ber Web-Autoren
R U' R' U' R U R U R U' R (11,12) Dan Harris
A6RU'R'U'RURURU'RJF-system compared by web authors - JF-System-Vergleich ber Web-Autoren
R U' R' U' R U R U R U' R (11,12) Dan Harris
A6RU'R'U'RURURU'RJFVergleich ber Web-Autoren
R U' R' U' R - U - R U R U' R (11,12)
A9RU'R'U'RURURU'RJF-system compared by web authors - JF-System-Vergleich ber Web-Autoren
(R U') (R' U' R U) (R U) (R U' R) (11,12) Peter Jansen
A10RU'R'U'RURURU'RJF-system compared by web authors - JF-System-Vergleich ber Web-Autoren
(R U') (R' U' R U) (R U) (R U' R) (11,12) Dennis Nilsson
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B1EMm2LU's'LsU'LJF-system compared by web authors - JF-System-Vergleich ber Web-Autoren
L U' s' L s U' L (7,12) Loic Fremont
B2Ld'm'Bmd'RJF-system compared by web authors - JF-System-Vergleich ber Web-Autoren
L (E' D') (RL') B (R'L) (E' D') R (7,13) Peter Jansen
B3LU's'LsU'LJF-system compared by web authors - JF-System-Vergleich ber Web-Autoren
(L U') F's L B's (U' L) (7,12) Dennis Nilsson
B4zUR''URURUR'U'R'U
(F) U R' U R U R U R' U' R' U (11,14) acube
B5zUR'U'R'URURUR''U
(F) U R' U' R' U R U R U R' U (11,14) acube
C1EMm3L''U'L'U'LULULU'L
L'' U' L' U' L U L U L U' L (11,12) BobBurton PLL 06 mirrored
lo ca la ca li ci li ci li ca li explanation of sound language - Erklrung der Lautsprache
C2RU'RURURU'R'U'R''
R U' R U R U R U' R' U' R'' (11,12)
ri ca ri ci ri ciri ca ra ca ro explanation of sound language - Erklrung der Lautsprache
RU'RURURU'R'U'RBob Burton's speed sequences 59
(R U' R U) (R U) (R U') (R' U' R) (11,12)
RU'RURURU'R'U'R''
R U'd RU R U R U'd R' U' R'' (11,12)
C3RU'RURURU'R'U'RJF-system compared by web authors - JF-System-Vergleich ber Web-Autoren
R U' R U R U R U' R' U' R (11,12) Dan Harris
C4RU'RURURU'R'U'R''JFVergleich ber Web-Autoren
R U' R - U - R U R U' R' U' R' (11,12)
C5RU'RURURU'R'U'RJF-system compared by web authors - JF-System-Vergleich ber Web-Autoren
(R U' R U) (R U R U') (R' U' R) (11,12) Peter Jansen
C6yRU'RURURU'R'U'RJF-system compared by web authors - JF-System-Vergleich ber Web-Autoren
y R U' R U R U R U' R' U' R (12,13) Ron van Bruchem
C7RU'RURURU'R'U'RJF-system compared by web authors - JF-System-Vergleich ber Web-Autoren
(R U') (R U) (R U) (R U') (R' U' R) (11,12) Dennis Nilsson
C8zDR'DRDRDR'D'R'D''
(F) D R' D R D R D R' D' R' D' (11,12) acube
 
D1EMm4RD'M'UMU'DR
R D' M' U M U'D R (8,12)
D2URB'UBURB'U'B
(U R) B' U B (U R) B' U' B (18,30) David Singmaster 'Notes on Rubik's Cube' S.21
D3F'U'FU'F'UFRUR'URUR'
F' U' F U' F' U F R U R' U R U R' (14,16) David Singmaster 'Notes on Rubik's Cube' S.22 -K. Fried
D4RU'S'USU'RJFVergleich ber Web-Autoren
R U' - S' U - S U' R (7,12)
D5R''d'rR'zRd'Dl'z'L
R' D'w - Rw R'- (f) R D'w D L'w (f') - L
D6R''U'yrR'Ur'RU'yL
R' U'(u) Rw R'U R'w R U'(u) L
D7RU'sRs'U'RJF-system compared by web authors - JF-System-Vergleich ber Web-Autoren
(R U') Fs R Bs (U' R) (7,12) Dennis Nilsson
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D4sDs'RsDs
s D s' R s D s (8,14)  David Singmaster 'Notes on Rubik's Cube' S. 33 -K.Fried
D5RD'Fm'UmDR
R D' F m' U m D R (8, 14)  David Singmaster 'Notes on Rubik's Cube' S. 33 -Thistlethwaite
D6RU'sRs'U'R
R U' s R s' U' R (8,14)  David Singmaster 'Notes on Rubik's Cube' S. 33 -Varga & Fried
D7MD'M'UMDM'UMD'M'UMDM'
M D' M' U M D M' U M D' M' U M D M' (15,24)
D8RU'sRs'U'RJF-system compared by web authors - JF-System-Vergleich ber Web-Autoren
R U' Fs R Bs U' R (7,12)
D9RU'sRs'U'RJF-system compared by web authors - JF-System-Vergleich ber Web-Autoren
R U' F B' R F' B U' R (7,12) Chris Hardwick
D10Rdm'BmdLJF-system compared by web authors - JF-System-Vergleich ber Web-Autoren
R (E D) (RL') B (R'L) (E D) L (8,13) Peter Jansen
D11RURURURU'R'U'RJF-system compared by web authors - JF-System-Vergleich ber Web-Autoren
R U (R U R U) R (U' R' U') R (11,14) Richard Patterson
D12RU'S'USU'RJF-system compared by web authors - JF-System-Vergleich ber Web-Autoren
R U' S' U S U' R (7,12) Ron van Bruchem
D13RU'sRs'U'RJF-system compared by web authors - JF-System-Vergleich ber Web-Autoren
R U' FB' R F'B U' R (9,12) Ron van Bruchem
D14RU'y'x'L'RU''LxR'U'yRJF-system compared by web authors - JF-System-Vergleich ber Web-Autoren
(RU') [u'] (r'L') (RU') (L[r]) ((R') (U'[u]R)) (9,12) Ross Palmer
RU'S'USU'R
(RU') S' (US) (U'R)
  english discussion about mentioned sequences (back to top)
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deutsche Errterung von Zugfolgen (zurck nach oben)  
    EMm2rU'M'UM'UM''Ur
EMm4Rd'M'UMd'r
   
   
Those sequences I only apply by correct orientation ofthe last slice, viewable at the side colors matching with the middle stones. Appears one of these situations on a turned last slice, I use a 90 degree turn to receive the easier sequences as solution possibility.

   
Diese Folgen wende ich nur an, wenn die letzte Schicht sozusagen "eingerastet" ist, was heit, da sich ihre seitlichen Eckenfarben mit den zugehrigen Mittelsteinen decken. Tritt eine dieser Situationen bei verdrehter letzter Schicht auf, drehe ich die Scheibe um 90, um eine der beiden schnelleren Folgen anwenden zu knnen.

   
07/10/2008 10.07.2008
       
             

 

 

 

 

 

 

 

 

 

 

 

 

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