NavigationMatrixPatterns - MusterSolution - Lösungsolutions for higher cubes and other types - Lösungen für größere Würfel und andere TypenLinksspeedcubing - Schnelldrehendiary - Tagebuchpoetry - Poesiequicklink speedcubing - Schnellzugriff Schnelldrehenagainst righteous - gegen Rechtsabout me - über michmail to Admin - email an den AdministratorImpressumJF-system compared by web authors - JF-System-Vergleich über Web-Autoren
Deutsch Kanten parallel tauschen - Kanten wenden NO english moving edges parallel - flipping edges NE
Corners Moved Straight - Edges Moved Straight 1Corners Moved Straight - Edges Moved Straight 2Corners Moved Straight - Edges Moved Diagonal P1Corners Moved Straight - Edges Moved Diagonal P2Corners Moved Straight - Edges Moved Diagonal M2Corners Moved Straight - Edges Moved Diagonal M1CMD1 EMS1CMD2 EMS1Corners Moved Diagonal 2 - Edges Moved Diagonal P1Corners Moved Diagonal 1 - Edges Moved Diagonal P1Corners Moved Positive - the long arm is the 'arrowpeak'Corners Moved Negative - the long arm is the 'arrowpeak'Corners Moved ParallelCorners Moved CrossEdges Moved Positive - the long arm is the 'arrowpeak'Edges Moved Negative - the long arm is the 'arrowpeak'Edges Moved ParallelEdges Moved CrossG-Permutation - Nose UpG-Permutation - Hand UpG-Permutation - Hand DownG-Permutation - Nose DownEdges Flipped NeighboursEdges Flipped OppositeEdges Flipped AllCorners Twisted StraightCorners Twisted NeighboursCorners Twisted DiagonalCorners Twisted PositiveCorners Twisted NegativeCorners Twisted RegularCorners Twisted IrregularCorners Moved Straight - Twisted StraightCorners Moved Straight - Twisted NeighboursCorners Moved Straight - Twisted DiagonalCorners Moved Straight - Twisted PositiveCorners Moved Straight - Twisted NegativeCorners Moved Straight - Twisted IrregularCorners Moved Straight - Twisted Regular
Twisting Corners & Flipping EdgesCorners Moved StraightCorners Moved DiagonalCorners Moved Positive - the long arm is the 'arrowpeak'Corners Moved Negative - the long arm is the 'arrowpeak'Corners Moved ParallelCorners Moved CrossFlipping EdgesEdges Moved StraightEdges Moved DiagonalEdges Moved Positive - the long arm is the 'arrowpeak'Edges Moved Negative - the long arm is the 'arrowpeak'Edges Moved ParallelEdges Moved Crossbest browser - Bester Browsercolor distribution - Farbverteilung
Edges Moved Parallel 1Edges Moved Parallel 1 / webauthors sequences1 situationEdges Moved Parallel 1; Flipped Neighbours P1Edges Moved Parallel 1; Flipped Neighbours P2Edges Moved Parallel 1; Flipped Opposite 1Edges Moved Parallel 1; Flipped Opposite 2Edges Moved Parallel 1; Flipped AllAlle Kanten-Tausche und -Wendungen - All Edge-Changes and -Flips
EMP1 EFNp1M'U'MU'M'U²MUM'UMU²
M' U' M U' M' · · M U M' U M · U² (12,20)
ma ca mi ca ma co mi ci ma ci mi co explanation of sound language - Erklärung der Lautsprache
EMP2 EFNp2MUM'UMU²M'U'MU'M'U²
M U M' U M · · M' U' M U' M' · U² (12,20)
mi ci ma ci mi co ma ca mi ca ma co explanation of sound language - Erklärung der Lautsprache
EMP1 EFNm2MU'M'U'MU²M'UMUM'U²
M U' M' U' M · · M' U M U M' · U² (12,20)
mi ca ma ca mi co ma ci mi ci ma co explanation of sound language - Erklärung der Lautsprache
EMP2 EFNm1M'UMUM'U²MU'M'U'MU²
M' U M U M' · · M U' M' U' M · U² (12,20)
ma ci mi ci ma co mi ca ma ca mi co explanation of sound language - Erklärung der Lautsprache
 Wolfgang Schifferdecker 'Der Dreh mit dem Würfel' S. 51
 
go to the top of the site
EMP1 EFNp1R'E'RU'RE²R'URE²R'U''RE²R'U'RE²R'UR'ERU''
R' E' R U' R E² R' U R E² R' · U'' · R E² R' U' R E² R' U R' E R · U'' (24,40)
 
go to the top of the site
 
1EMP2 EFNp2R'U'FR'F'RURFURU'R'F'
R' U' F R' F' R U R F U R U' R' F' (14)  Jessica Fridrich + Mirek Goljan
2R'F'L'ULU'FRFURU'R'F'
R' F' L' U L U' F R F U R U' R' F' (14)  Jessica Fridrich + Mirek Goljan
3R'F'L'ULFU²RBLU'L'B'U²
R' F' L' U L F U² R B L U' L' B' U² (14,16)  Jessica Fridrich + Mirek Goljan
4R'F'L'U²LFURU²R'F'U'FR
R' F' L' U² L F U R U² R' F' U' F R (14,16)  Jessica Fridrich + Mirek Goljan
ra fa la co li fi ci ri co ra fa ca fi ri explanation of sound language - Erklärung der Lautsprache
5R'F²LFL'FRFU²F'U'FU'F'
R' F² L F L' F R F U² F' U' F U' F' (14,16)  Jessica Fridrich + Mirek Goljan
go to the top of the site
6L'UL²R'FL'F²LF'L²RU'LU²
L' U L²R' F L' F² L F' RL² U' L U² (14,18)  Jessica Fridrich + Mirek Goljan
7L'F²B'RUF'R²FU'R'F²BLU²
L' F²B' R U F' R² F U' R' BF² L U² (14,18)  Jessica Fridrich + Mirek Goljan
8MUM'UMU²M'U'MU'M'U²
M U M' U M U² M' U' M U' M' U² (12,20)  Jessica Fridrich + Mirek Goljan
mi ci ma ci mi co ma ca mi ca ma co explanation of sound language - Erklärung der Lautsprache
9FRU'R'F'U'L'U²LFURU'R'F'
F R U' R' F' U' L' U² · F U R U' R' F' (9,10)
 
go to the top of the site
 
EMP1 EFNm2LUF'LFL'U'L'F'U'L'ULF
L U F' L F L' U' L' F' U' L' U L F (14)  Jessica Fridrich + Mirek Goljan
LFRU'R'UF'L'F'U'L'ULF
L F R U' R' U F' L' F' U' L' U L F (14)  Jessica Fridrich + Mirek Goljan
LFRU'R'F'U''L'B'R'URBU''
L F R U' R' F' U'' L' B' R' U R B U'' (14,16)  Jessica Fridrich + Mirek Goljan
go to the top of the site
LFRU''R'F'U'L'U''LFUF'L'
L F R U'' R' F' U' L' U'' L F U F' L' (14,16)  Jessica Fridrich + Mirek Goljan
LF''R'F'RF'L'F'U''FUF'UF
L F'' R' F' R F' L' F' U'' F U F' U F (14,16)  Jessica Fridrich + Mirek Goljan
RU'LR''F'RF''R'FL'R''UR'U''
R U' LR'' F' R F'' R' F L'R'' U R' U'' (14,18)  Jessica Fridrich + Mirek Goljan
go to the top of the site
7RF''BL'U'FL''F'ULF²B'R'U''
R F''B L' U' F L'' F' U L B'F² R' U'' (14,18)  Jessica Fridrich + Mirek Goljan
8MU'M'U'MU''M'UMUM'U''
M U' M' U' M U'' M' U M U M' U'' (12,20)  Jessica Fridrich + Mirek Goljan
mi ca ma ca mi co ma ci mi ci ma co explanation of sound language - Erklärung der Lautsprache
9RUR'URU²R'F'U'L'U²LFRU'R'
R U R' U R U² R' F' U' L' U² L F R U' R' (16,18)
ri ci ra ci ri co ra fa ca la co li fi ri ca ra fi explanation of sound language - Erklärung der Lautsprache
 
go to the top of the site
 
EMP2 EFNm1
               
  english discussion about mentioned sequences (back to top)
go to the top of the site
deutsche Erörterung von Zugfolgen (zurück nach oben)  
    EMP1 EFNm2RUR'URU²R'F'U'L'U²LFRU'R'    
   
The sequence above is a derivate of the one below, which crosses four edges and flips two of them, neighboured:

   
Die obige Folge ist ein Abkömmling der unteren, die vier Kanten im Kreuz tauscht und zwei benachbarte davon wendet:

   
    EMC EFNm2RUR'FURU²R'F'U'L'U²LFRU'R'    
   
The embraced move disappears, because the positioning of the edges really needs the F'-move.

       
Der eingeklammerte Zug verschwindet, da zur Positionierung der Kanten eigentlich ein F'-Zug eingefügt werden müsste.

   
08/08/2008 08.08.2008
   
   
             

 

 

 

 

 

 

 

 

 

 

 

 

mail to Admin - email an den Administrator