NavigationMatrixPatterns - MusterSolution - Lösungsolutions for higher cubes and other types - Lösungen für größere Würfel und andere TypenLinksspeedcubing - Schnelldrehendiary - Tagebuchpoetry - Poesiequicklink speedcubing - Schnellzugriff Schnelldrehenagainst righteous - gegen Rechtsabout me - über michmail to Admin - email an den AdministratorImpressumJF-system compared by web authors - JF-System-Vergleich über Web-Autoren
Deutsch Kanten parallel tauschen - Kanten wenden NO english moving edges parallel - flipping edges NE
Corners Moved Straight - Edges Moved Straight 1Corners Moved Straight - Edges Moved Straight 2Corners Moved Straight - Edges Moved Diagonal P1Corners Moved Straight - Edges Moved Diagonal P2Corners Moved Straight - Edges Moved Diagonal M2Corners Moved Straight - Edges Moved Diagonal M1CMD1 EMS1CMD2 EMS1Corners Moved Diagonal 2 - Edges Moved Diagonal P1Corners Moved Diagonal 1 - Edges Moved Diagonal P1Corners Moved Positive - the long arm is the 'arrowpeak'Corners Moved Negative - the long arm is the 'arrowpeak'Corners Moved ParallelCorners Moved CrossEdges Moved Positive - the long arm is the 'arrowpeak'Edges Moved Negative - the long arm is the 'arrowpeak'Edges Moved ParallelEdges Moved CrossG-Permutation - Nose UpG-Permutation - Hand UpG-Permutation - Hand DownG-Permutation - Nose DownEdges Flipped NeighboursEdges Flipped OppositeEdges Flipped AllCorners Twisted StraightCorners Twisted NeighboursCorners Twisted DiagonalCorners Twisted PositiveCorners Twisted NegativeCorners Twisted RegularCorners Twisted IrregularCorners Moved Straight - Twisted StraightCorners Moved Straight - Twisted NeighboursCorners Moved Straight - Twisted DiagonalCorners Moved Straight - Twisted PositiveCorners Moved Straight - Twisted NegativeCorners Moved Straight - Twisted IrregularCorners Moved Straight - Twisted Regular
Twisting Corners & Flipping EdgesCorners Moved StraightCorners Moved DiagonalCorners Moved Positive - the long arm is the 'arrowpeak'Corners Moved Negative - the long arm is the 'arrowpeak'Corners Moved ParallelCorners Moved CrossFlipping EdgesEdges Moved StraightEdges Moved DiagonalEdges Moved Positive - the long arm is the 'arrowpeak'Edges Moved Negative - the long arm is the 'arrowpeak'Edges Moved ParallelEdges Moved Crossbest browser - Bester Browsercolor distribution - Farbverteilung
Edges Moved Parallel 1Edges Moved Parallel 1 / webauthors sequences1 situationEdges Moved Parallel 1; Flipped Neighbours P1Edges Moved Parallel 1; Flipped Neighbours P2Edges Moved Parallel 1; Flipped Opposite 1Edges Moved Parallel 1; Flipped Opposite 2Edges Moved Parallel 1; Flipped AllAlle Kanten-Tausche und -Wendungen - All Edge-Changes and -Flips
EMP1 EFNp1M'U'MU'M'U²MUM'UMU²
M' U' M U' M' · · M U M' U M · U² (12,20)
ma ca mi ca ma co mi ci ma ci mi co explanation of sound language - Erklärung der Lautsprache
EMP2 EFNp2MUM'UMU²M'U'MU'M'U²
M U M' U M · · M' U' M U' M' · U² (12,20)
mi ci ma ci mi co ma ca mi ca ma co explanation of sound language - Erklärung der Lautsprache
EMP1 EFNm2MU'M'U'MU²M'UMUM'U²
M U' M' U' M · · M' U M U M' · U² (12,20)
mi ca ma ca mi co ma ci mi ci ma co explanation of sound language - Erklärung der Lautsprache
EMP2 EFNm1M'UMUM'U²MU'M'U'MU²
M' U M U M' · · M U' M' U' M · U² (12,20)
ma ci mi ci ma co mi ca ma ca mi co explanation of sound language - Erklärung der Lautsprache
 Wolfgang Schifferdecker 'Der Dreh mit dem Würfel' S. 51
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EMP1 EFNp1R'E'RU'RE²R'URE²R'U''RE²R'U'RE²R'UR'ERU''
R' E' R U' R E² R' U R E² R' · U'' · R E² R' U' R E² R' U R' E R · U'' (24,40)
1EMP2 EFNp2R'U'FR'F'RURFURU'R'F'
R' U' F R' F' R U R F U R U' R' F' (14)  Jessica Fridrich + Mirek Goljan
2R'F'L'ULU'FRFURU'R'F'
R' F' L' U L U' F R F U R U' R' F' (14)  Jessica Fridrich + Mirek Goljan
3R'F'L'ULFU²RBLU'L'B'U²
R' F' L' U L F U² R B L U' L' B' U² (14,16)  Jessica Fridrich + Mirek Goljan
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4R'F'L'U²LFURU²R'F'U'FR
R' F' L' U² L F U R U² R' F' U' F R (14,16)  Jessica Fridrich + Mirek Goljan
ra fa la co li fi ci ri co ra fa ca fi ri explanation of sound language - Erklärung der Lautsprache
5R'F²LFL'FRFU²F'U'FU'F'
R' F² L F L' F R F U² F' U' F U' F' (14,16)  Jessica Fridrich + Mirek Goljan
6L'UL²R'FL'F²LF'L²RU'LU²
L' U L²R' F L' F² L F' RL² U' L U² (14,18)  Jessica Fridrich + Mirek Goljan
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7L'F²B'RUF'R²FU'R'F²BLU²
L' F²B' R U F' R² F U' R' BF² L U² (14,18)  Jessica Fridrich + Mirek Goljan
8MUM'UMU²M'U'MU'M'U²
M U M' U M U² M' U' M U' M' U² (12,20)  Jessica Fridrich + Mirek Goljan
mi ci ma ci mi co ma ca mi ca ma co explanation of sound language - Erklärung der Lautsprache
9FRU'R'F'U'L'U²LFURU'R'F'
F R U' R' F' U' L' U² · F U R U' R' F' (9,10)
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EMP1 EFNm2LUF'LFL'U'L'F'U'L'ULF
L U F' L F L' U' L' F' U' L' U L F (14)  Jessica Fridrich + Mirek Goljan
LFRU'R'UF'L'F'U'L'ULF
L F R U' R' U F' L' F' U' L' U L F (14)  Jessica Fridrich + Mirek Goljan
LFRU'R'F'U''L'B'R'URBU''
L F R U' R' F' U'' L' B' R' U R B U'' (14,16)  Jessica Fridrich + Mirek Goljan
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LFRU''R'F'U'L'U''LFUF'L'
L F R U'' R' F' U' L' U'' L F U F' L' (14,16)  Jessica Fridrich + Mirek Goljan
LF''R'F'RF'L'F'U''FUF'UF
L F'' R' F' R F' L' F' U'' F U F' U F (14,16)  Jessica Fridrich + Mirek Goljan
RU'LR''F'RF''R'FL'R''UR'U''
R U' LR'' F' R F'' R' F L'R'' U R' U'' (14,18)  Jessica Fridrich + Mirek Goljan
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7RF''BL'U'FL''F'ULF²B'R'U''
R F''B L' U' F L'' F' U L B'F² R' U'' (14,18)  Jessica Fridrich + Mirek Goljan
8MU'M'U'MU''M'UMUM'U''
M U' M' U' M U'' M' U M U M' U'' (12,20)  Jessica Fridrich + Mirek Goljan
mi ca ma ca mi co ma ci mi ci ma co explanation of sound language - Erklärung der Lautsprache
9RUR'URU²R'F'U'L'U²LFRU'R'
R U R' U R U² R' F' U' L' U² L F R U' R' (16,18)
ri ci ra ci ri co ra fa ca la co li fi ri ca ra fi explanation of sound language - Erklärung der Lautsprache
EMP2 EFNm1
               
  english discussion about mentioned sequences (back to top)
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deutsche Erörterung von Zugfolgen (zurück nach oben)  
    EMP1 EFNm2RUR'URU²R'F'U'L'U²LFRU'R'    
   
The sequence above is a derivate of the one below, which crosses four edges and flips two of them, neighboured:

   
Die obige Folge ist ein Abkömmling der unteren, die vier Kanten im Kreuz tauscht und zwei benachbarte davon wendet:

   
    EMC EFNm2RUR'FURU²R'F'U'L'U²LFRU'R'    
   
The embraced move disappears, because the positioning of the edges really needs the F'-move.

       
Der eingeklammerte Zug verschwindet, da zur Positionierung der Kanten eigentlich ein F'-Zug eingefügt werden müsste.

   
08/08/2008 08.08.2008
   
   
             

 

 

 

 

 

 

 

 

 

 

 

 

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