NavigationMatrixPatterns - MusterSolution - Lösungsolutions for higher cubes and other types - Lösungen für größere Würfel und andere TypenLinksspeedcubing - Schnelldrehendiary - Tagebuchpoetry - Poesiequicklink speedcubing - Schnellzugriff Schnelldrehenagainst righteous - gegen Rechtsabout me - über michmail to Admin - email an den AdministratorImpressumJF-system compared by web authors - JF-System-Vergleich über Web-Autoren
Deutsch Kanten parallel tauschen - Kanten wenden NS english moving edges parallel - flipping edges NS
Corners Moved Straight - Edges Moved Straight 1Corners Moved Straight - Edges Moved Straight 2Corners Moved Straight - Edges Moved Diagonal P1Corners Moved Straight - Edges Moved Diagonal P2Corners Moved Straight - Edges Moved Diagonal M2Corners Moved Straight - Edges Moved Diagonal M1CMD1 EMS1CMD2 EMS1Corners Moved Diagonal 2 - Edges Moved Diagonal P1Corners Moved Diagonal 1 - Edges Moved Diagonal P1Corners Moved Positive - the long arm is the 'arrowpeak'Corners Moved Negative - the long arm is the 'arrowpeak'Corners Moved ParallelCorners Moved CrossEdges Moved Positive - the long arm is the 'arrowpeak'Edges Moved Negative - the long arm is the 'arrowpeak'Edges Moved ParallelEdges Moved CrossG-Permutation - Nose UpG-Permutation - Hand UpG-Permutation - Hand DownG-Permutation - Nose DownEdges Flipped NeighboursEdges Flipped OppositeEdges Flipped AllCorners Twisted StraightCorners Twisted NeighboursCorners Twisted DiagonalCorners Twisted PositiveCorners Twisted NegativeCorners Twisted RegularCorners Twisted IrregularCorners Moved Straight - Twisted StraightCorners Moved Straight - Twisted NeighboursCorners Moved Straight - Twisted DiagonalCorners Moved Straight - Twisted PositiveCorners Moved Straight - Twisted NegativeCorners Moved Straight - Twisted IrregularCorners Moved Straight - Twisted Regular
Twisting Corners & Flipping EdgesCorners Moved StraightCorners Moved DiagonalCorners Moved Positive - the long arm is the 'arrowpeak'Corners Moved Negative - the long arm is the 'arrowpeak'Corners Moved ParallelCorners Moved CrossFlipping EdgesEdges Moved StraightEdges Moved DiagonalEdges Moved Positive - the long arm is the 'arrowpeak'Edges Moved Negative - the long arm is the 'arrowpeak'Edges Moved ParallelEdges Moved Crossbest browser - Bester Browsercolor distribution - Farbverteilung
Edges Moved Parallel 1Edges Moved Parallel 1 / webauthors sequences1 situationEdges Moved Parallel 1; Flipped Neighbours P1Edges Moved Parallel 1; Flipped Neighbours P2Edges Moved Parallel 1; Flipped Opposite 1Edges Moved Parallel 1; Flipped Opposite 2Edges Moved Parallel 1; Flipped AllAlle Kanten-Tausche und -Wendungen - All Edge-Changes and -Flips
EMP1 EFO1M'U'MUM'U'MU'M'U²M
M' U' M U M' U' M U' M' U² M (11,12)
ma ca mi ci ma ca mi ca ma co mi explanation of sound language - Erklärung der Lautsprache
EMP2 EFO2M'U²MU'M'U'MUM'U'M
M' U² M U' M' U' M U M' U' M (11,12)
ma co mi ca ma ca mi ci ma ca mi explanation of sound language - Erklärung der Lautsprache
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EMP1 EFO1B'L'B'mURUm'B'mB
B' L' B' m U R U m' B' m B (11,14)  Jessica Fridrich + Mirek Goljan
L'U'BL'B'L'F'L'F'R'F'RU'F'
L' U' B L' B' L' F' L' F' R' F' R U' F' (14)  Jessica Fridrich + Mirek Goljan
L'ULFU''F'U''L'U''LFUF'
L' U L F U'' F' U'' L' U'' L F U F' (13,16)  Jessica Fridrich + Mirek Goljan
B''MU'M'U'MUM'UB''
B'' M U' M' U' M U M' U B'' (10,16)  Jessica Fridrich + Mirek Goljan
MU'M'UMU'M'U'MU''M'
M U' M' U M U' M' U' M U'' M' (11,18)  Jessica Fridrich + Mirek Goljan
mi ca ma ci mi ca ma ca mi co ma explanation of sound language - Erklärung der Lautsprache
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U'M'U'MU'M'UMU'M'U'M
U' M' U' M U' M' U M U' M' U' M (12,18)  Jessica Fridrich + Mirek Goljan
ca ma ca mi ca ma ci mi ca ma ca mi explanation of sound language - Erklärung der Lautsprache
7sR²s'U'sR's'UsR's'
s R² s' U' s R' s' U s R' s' (11,18) Josef Trajber 'Der Würfel für Fortgeschrittene" S. 50
8B'L'B'mURUm'B'mB
B' L' B' m U R U m' B' m B (11,14) Josef Trajber 'Der Würfel für Fortgeschrittene" S. 50
9F²M'U'MU'M'UMUF²
F² M' U' M U' M' U M U (10,16) Josef Trajber 'Der Würfel für Fortgeschrittene" S. 50
fo ma ca mi ca ma ci mi ci fo explanation of sound language - Erklärung der Lautsprache
EMP2 EFO2R'E'RURE²R'U'RE²R'U'RE²R'U'RE²R'UR'ERU
R' E' R U R E² R' U' R E² R' · U' · R E² R' U' R E² R' U R' E R · U (24,38)
  english discussion about mentioned sequences (back to top)
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deutsche Erörterung von Zugfolgen (zurück nach oben)  
    A7EMP1 EFO1sR²s'U'sR's'UsR's'    
   
Here also the preference for outer slice turns is to view, which Josef Trajber likes to practice. Finally A7 is nearly equal to A5. The congruence is not perfect, but viewable.
   
Auch hier zeigt sich die Vorliebe von Josef Trajber, Mittelschichtzüge als doppelte Außendrehungen darzustellen. Letztlich entspricht A7 der Folge A5. Die Kongruenz ist nicht ganz gegeben, aber erkennbar.
   
       
12/13/2007 13.12.2007
   
             

 

 

 

 

 

 

 

 

 

 

 

 

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