NavigationMatrixPatterns - MusterSolution - Lösungsolutions for higher cubes and other types - Lösungen für größere Würfel und andere TypenLinksspeedcubing - Schnelldrehendiary - Tagebuchpoetry - Poesiequicklink speedcubing - Schnellzugriff Schnelldrehenagainst righteous - gegen Rechtsabout me - über michmail to Admin - email an den AdministratorImpressumJF-system compared by web authors - JF-System-Vergleich über Web-Autoren
Deutsch Kanten parallel tauschen - Kanten wenden OW english moving edges parallel - flipping edges EW
Corners Moved Straight - Edges Moved Straight 1Corners Moved Straight - Edges Moved Straight 2Corners Moved Straight - Edges Moved Diagonal P1Corners Moved Straight - Edges Moved Diagonal P2Corners Moved Straight - Edges Moved Diagonal M2Corners Moved Straight - Edges Moved Diagonal M1CMD1 EMS1CMD2 EMS1Corners Moved Diagonal 2 - Edges Moved Diagonal P1Corners Moved Diagonal 1 - Edges Moved Diagonal P1Corners Moved Positive - the long arm is the 'arrowpeak'Corners Moved Negative - the long arm is the 'arrowpeak'Corners Moved ParallelCorners Moved CrossEdges Moved Positive - the long arm is the 'arrowpeak'Edges Moved Negative - the long arm is the 'arrowpeak'Edges Moved ParallelEdges Moved CrossG-Permutation - Nose UpG-Permutation - Hand UpG-Permutation - Hand DownG-Permutation - Nose DownEdges Flipped NeighboursEdges Flipped OppositeEdges Flipped AllCorners Twisted StraightCorners Twisted NeighboursCorners Twisted DiagonalCorners Twisted PositiveCorners Twisted NegativeCorners Twisted RegularCorners Twisted IrregularCorners Moved Straight - Twisted StraightCorners Moved Straight - Twisted NeighboursCorners Moved Straight - Twisted DiagonalCorners Moved Straight - Twisted PositiveCorners Moved Straight - Twisted NegativeCorners Moved Straight - Twisted IrregularCorners Moved Straight - Twisted Regular
Twisting Corners & Flipping EdgesCorners Moved StraightCorners Moved DiagonalCorners Moved Positive - the long arm is the 'arrowpeak'Corners Moved Negative - the long arm is the 'arrowpeak'Corners Moved ParallelCorners Moved CrossFlipping EdgesEdges Moved StraightEdges Moved DiagonalEdges Moved Positive - the long arm is the 'arrowpeak'Edges Moved Negative - the long arm is the 'arrowpeak'Edges Moved ParallelEdges Moved Crossbest browser - Bester Browsercolor distribution - Farbverteilung
Edges Moved Parallel 1Edges Moved Parallel 1 / webauthors sequences1 situationEdges Moved Parallel 1; Flipped Neighbours P1Edges Moved Parallel 1; Flipped Neighbours P2Edges Moved Parallel 1; Flipped Opposite 1Edges Moved Parallel 1; Flipped Opposite 2Edges Moved Parallel 1; Flipped AllAlle Kanten-Tausche und -Wendungen - All Edge-Changes and -Flips
A0EMP1 EFO2M'U²MUM'UMU'M'UM
M' U² M U M' U M U' M' U M (11,12)
ma co mi ci ma ci mi ca ma ci mi explanation of sound language - Erklärung der Lautsprache
B0EMP2 EFO1M'UMU'M'UMUM'U²M
M' U M U' M' U M U M' U² M (11,12)
ma ci mi ca ma ci mi ci ma co mi explanation of sound language - Erklärung der Lautsprache
A1EMP1 EFO2F²U'M'U'MUM'UMF²
F² · U' M' U' M U M' U M · F² (10,16) Wolfgang Schifferdecker 'Der Dreh mit dem Würfel' S. 50
fo ca ma ca mi ci ma ci mi fo explanation of sound language - Erklärung der Lautsprache
A1RE²R'URE²R'U'R'ERU'R'E'RU'RE²R'URE²R'U
R E² R' U R E² R' U' R' E R · U' · R' E' R U' R E² R' U R E² R' · U (24,38)
B1EMP2 EFO1BRBmU'L'U'm'BmB'
B R B m U' L' U' m' B m B' (11,14)  Jessica Fridrich + Mirek Goljan
B2RUB'RBRFRFLFL'UF
R U B' R B R F R F L F L' U F (14)  Jessica Fridrich + Mirek Goljan
B3RU'R'F'U²FU²RU²R'F'U'F
R U' R' F' U² F U² R U² R' F' U' F (13,16)  Jessica Fridrich + Mirek Goljan
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B4B²MUM'UMU'M'U'B²
B² M U M' U M U' M' U' B² (10,16)  Jessica Fridrich + Mirek Goljan
bo mi ci ma ci mi ca ma ca bo explanation of sound language - Erklärung der Lautsprache
B5MUM'U'MUM'UMU²M'
M U M' U' M U M' U M U² M' (11,18)  Jessica Fridrich + Mirek Goljan
mi ci ma ca mi ci ma ci mi co ma
B6UM'UMUM'U'MUM'UM
U M' U M U M' U' M U M' U M (12,18)  Jessica Fridrich + Mirek Goljan
ci ma ci mi ci ma ca mi ci ma ci mi explanation of sound language - Erklärung der Lautsprache
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B7s'L''sUs'LsU's'Ls
s' L'' s U s' L s U' s' L s (11,18) Josef Trajber 'Der Würfel für Fortgeschrittene" S. 50
B8BRBmU'L'U'm'BmB'
B R B m U' L' U' m' B m B' (11,14) Josef Trajber 'Der Würfel für Fortgeschrittene" S. 50
  english discussion about mentioned sequences (back to top)
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deutsche Erörterung von Zugfolgen (zurück nach oben)  
    B7EMP1 EFO1s'L''sUs'LsU's'Ls    
   
Here also the preference for outer slice turns is to view, which Josef Trajber likes to practice. Finally A7 is nearly equal to A5. The congruence is not perfect, but viewable.

   
Auch hier zeigt sich die Vorliebe von Josef Trajber, Mittelschichtzüge als doppelte Außendrehungen darzustellen. Letztlich entspricht A7 der Folge A5. Die Kongruenz ist nicht ganz gegeben, aber erkennbar.

   
12/13/2007 13.12.2007
       
             

 

 

 

 

 

 

 

 

 

 

 

 

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